Carmelo Pluchino. Pictorial Reliefs

The new expressive research of Carmelo Pluchino on show in Mirano from Saturday 15 to Saturday November 29 2014 at the Spazio Silos. "Surveys pictorial" is the title of the exhibition of the Venetian artist, which serves an important group of about 20 figurative works in which Pluchino experiences and plasma materials and materials, often derived from industrial, using repertoires of a different kind, froma the imagerie mass to the aesthetic categories of ''antigraceful" from the elementary vocabulary of art brut to the more immediate and direct "matterism" convulsively magmatic, making their impulses and imaginative projections and then translate them into a kind of visionary expressionism.
The inauguration of "Pictorial Reliefs, 30th exhibition of Pluchino, will be held on Saturday November 15 at 18.30 at Spazio Silos, conceived and designed by Enzo Berti, winner of the Compasso d'Oro 2014 (International Award ADI - Association for Design industrial).
Pluchino uses an artificial material, polyurethane, recycling, or make use of their formats on the market ritagliandovi parts that will be used to model the soft plastic forms on which they act with primary colors and industrial paint spray or brush with wide, covering those forms of intense chromaticism, even if his intention is then to simulate the objectivity of things, in the manner of Paolo Gilardi or by Pino Pascali pioneered the use of foam rubber.

Carmelo Pluchino began his artistic training as a self attending the Venetian artistic circles of the environment and the exponents NEW FACE OF ARTS and Spatialism. Thus enters the cultural circle formed around the personality of Virgilio Guidi, where he was able to strengthen its relationship with Emilio Vedova and the artists of the Gallery The Ferry, founded by Gianni De Marco. Thanks to the efforts of John De Mark, the artist began to exhibit his works in several exhibitions together with the leading figures of the time. In the meantime, he moved to Venice and, increasingly supported by De Marco, exhibited in the seventies and eighties in several Italian cities, coming into contact through the Gallery Pony with some members of the COBRA group. In the coming years will continue in an ever more intense to show his work in several galleries, showing experiences related to Pop Art and the informal use of gesture, as well as African art for its tribal