Renato Amoruso. The Colour of Human Feelings

Renato Amoruso, Senza titolo, 1998, olio su tela, cm 70x120

 

From 28 Novembre 2014 to 09 Gennaio 2015

Turin

Place: Spaziobianco of Turin

Address: via Saluzzo 23/bis

Times: Tuesday to Friday 4.30-7.30 or by appointment

Responsibles: Marisa Vescovo, Giorgio D’Orazio

Telefono per informazioni: +39 333 6863429

E-Mail info: informarte8@gmail.com


From 29th November 2014 to 9th January 2015 will be at Spaziobianco of Turin, the solo show of Renato Amoruso entitled The Colour of human feelings, edited by Marisa Vescovo and Giorgio D'Orazio, under the coordination of Silvano Costanzo and Lucrezia de Domizio Durini .
The exhibition brings together a selection of fifty paintings that reveal to the public the fascinating history of this artist who lives in Florence and offers a very personal painting, solitary, silent that does not fall into any classification methodology of the art system; a painting that belongs to the intimate area of man that Aristotle called the Form of the Soul.
As stated by Marisa Vescovo in his catalog essay, "All the research Renato Amoruso is spreadable into two large sections, one related to weight (as a wanted Italo Calvino), and another related to the materiality of color. (...) It is a life's work, in which our author remained in foreign country, but not foreign to his own time, where you can find the truth of one's self, a fact that truth can be grasped only exile, a research extraterritoriality, where you can read the key constellation of modernity. "
Amoruso was born an artist. His works are living in the colors that look nature and are reflected in his dreams. I work free from any titration, surpassing every pictorial, talk about human feelings and aim to remember those primary values inherent in the human soul as the respect of Man and Nature.
Two events will feature the opening night - Friday, November 28, 18:30: the sound of the clarinet master Albert Serrapiglio accompany the screening of the film The Colours of the human feeling of Stephen Odoardi.
During the exhibition, was published an extensive volume (ed. Mondadori Electa), edited by Lucrezia De Domizio Durini, with texts by art historians Gerard-Georges Lemaire, Pilar Parcerisas and Marisa Vescovo.

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