Kreshnik Sulejmani. Kikirika

Kreshnik Sulejmani. Kikirika, La Fenice Gallery, Venezia
From 19 April 2014 to 17 May 2014
Venice
Place: La Fenice Gallery
Address: San Marco 1948
Times: from Thursday to Sunday 14-18 or by appointment
Ticket price: free admission
Telefono per informazioni: +39 041 5232333
E-Mail info: info@lafenicegallery.com
Official site: http://www.lafenicegallery.com
Kikirika phonetically rhythmics, sound and inspiring ; semantically natural , and social exchanges tied to the conversation ; or just peanuts in Albanian. Equally impressive is the look of Kreshnik Sulejmani . Accurate and curious , the artist schipetaro , on the occasion of his first solo show at The Phoenix Gallery, takes us inside the world of mimesis and links morpho- cognitive .
In its investigation , the irony and the game will appear as a result of the ability childhood , the sense of exploration that belongs to us in search of a nature to risemantizzare . Kreshnik search for, collect, move , then orders and reorders obsessively , wood chips, leaves, shells, fruits found on the ground long walk between beaches and forests. Without the intent to preserve, trying different combinations and compositional approaches , reveals the hidden souls suggested to his gaze from a single element , as if to establish a dialogue that is expressed only in sculpture or chance . The artist becomes a translator , an extractor of forms, stages a dislocated nature , scope carefully out from the crowded usual environment and ready to inspire and welcome suggestions.
This continuous latent sense detector installation: although the manipulation of materials is obvious , are reproduced organic forms , sinuous spots to grow rhythmically , connecting portions , modules and producing large compositions of tiny units . Its collections wooden occur almost scientifically arranged rather like an archaeological collection , a mosaic of different , arranged in a certain order to follow the classical steps, despite the spontaneous appearance of the crop.
As verses in a language and immediate present , the set is read at a glance , clean, simple and honest. The object is found in this way, the point of origin , the spark , the stimulus that ignites a wide variety of connections . The artist highlights his research, without pretending to solve puzzles and rid the weight of the definition, so dumb part of the way in a step that accompanies each of us toward a microcosm of images in - confessed .
In its investigation , the irony and the game will appear as a result of the ability childhood , the sense of exploration that belongs to us in search of a nature to risemantizzare . Kreshnik search for, collect, move , then orders and reorders obsessively , wood chips, leaves, shells, fruits found on the ground long walk between beaches and forests. Without the intent to preserve, trying different combinations and compositional approaches , reveals the hidden souls suggested to his gaze from a single element , as if to establish a dialogue that is expressed only in sculpture or chance . The artist becomes a translator , an extractor of forms, stages a dislocated nature , scope carefully out from the crowded usual environment and ready to inspire and welcome suggestions.
This continuous latent sense detector installation: although the manipulation of materials is obvious , are reproduced organic forms , sinuous spots to grow rhythmically , connecting portions , modules and producing large compositions of tiny units . Its collections wooden occur almost scientifically arranged rather like an archaeological collection , a mosaic of different , arranged in a certain order to follow the classical steps, despite the spontaneous appearance of the crop.
As verses in a language and immediate present , the set is read at a glance , clean, simple and honest. The object is found in this way, the point of origin , the spark , the stimulus that ignites a wide variety of connections . The artist highlights his research, without pretending to solve puzzles and rid the weight of the definition, so dumb part of the way in a step that accompanies each of us toward a microcosm of images in - confessed .
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