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Fabio Viale. In between
From 14 Ottobre 2021 to 13 Febbraio 2022
Place: Palazzo Reale
Address: Piazzetta Reale 1
Times: The Royal Museums are open from Tuesday to Sunday, from 9 am to 7 pm (last admission at 6 pm). The ticket office in Piazzetta Reale 1 is open from 9 am to 6 pm
Responsibles: Filippo Masino e Roberto Mastroianni
- MiC - Ministero della Cultura
- Musei Reali Torino
Prolungata: fino al 13 febbraio 2022
Ticket price: Full ticket: 15 Euro Discounted ticket for visitors aged 18 - 25: 2 Euro Free admission: under 18s; people with disabilities and their carer; teachers with school groups and tour guides with groups; staff of the Mini stry of Culture; holders of the Museum Pass, Turin + Piedmont Card, ICOM card. Admission for visitors over 65 is as per ordinary rates
E-Mail info: firstname.lastname@example.org
Official site: http://www.museireali.beniculturali.it
After the solo exhibition at the Glyptothek Museum in Munich, the participation in the Venice Pavilion at the 2019 Biennale, the exhibition at the Pushkin Museum in Moscow and Truly, an exhibition widespread in the symbolic places of the city of Pietrasanta in Summer 2020, Viale brings his sculptures to the Piedmontese capital. Not only are his works remarkable for their technical virtuosity but also for his ability to reinterpret the forms and themes of classical art in a contemporary way. Eternal models of beauty and metropolitan tribalism, tradition and innovation, a timeless past and current trends all come together in an exhibition designed to make public areas and museum locations interact closely.
The exhibition is an opportunity to illustrate Viale's long-standing research as well as his refined and eccentric poetics while deepening into artistic production techniques within a modern professional sculpture studio, ranging from traditional knowledge to numerical control technology.
“Leveraging wonder, technical virtuosity and creative reinterpretation – says Enrica Pagella, director of the Royal Museums – Fabio Viale’s artistic production invites us to look in a new light at the sculpture masterpieces that populate our museums and are engraved into everyone's mind: a bridge between past and future, linking tradition and modern experimentation, a tribute to the multiform potential of cultural heritage and an invitation to discover and challenge it without prejudice.”
Through In Between, the Royal Museums open up, once again, not only to the new languages of contemporary art but also to the city itself. Local people and tourists alike will be able to admire a part of the exhibition for free as a series of the famous tattooed statues is publicly displayed in Piazzetta Reale. The large area in front of the Royal Palace makes a perfect urban setting for the monumental works that, immersed in light, interact with the surrounding architecture and the urban fabric while showcasing masterpieces that stimulate the collective imagination.
The artistic itinerary continues inside the Savoy residence with Amore e Psiche (Cupid and Psyche), a new work that dominates the Hall of the Swiss Guards. The artwork replicates Canova's neoclassical masterpiece while disrupting its traditional interpretation through the tattooing of the female body with the wedding motifs of Middle Eastern brides suggesting a very topical reflection on the condition of women in the current geopolitical context on the themes of conquest, suffering and salvation.
“I started working on Amore e Psiche several months ago, a sculpture on which I had initially planned to apply wonderful Japanese tattoos”, says the artist, Fabio Viale. “However, in the light of recent events in Afghanistan, I felt that my project had to undergo a radical change in the attempt to bridge the cultural gap between the West and the Middle East, giving a voice to women not only from that country but also from many other parts of the world. This work represents a new milestone in my career as it allows me to open a window, through sculpture, on aspects of our actuality.
In the Chapel of the Holy Shroud, the work Souvenir Pietà (Cristo), from 2006, establishes a strong connection with one of the most important and mysterious icons of Christianity. Finally, in the Royal Armoury, the original work Lorica offers a wearable old-fashioned armour made in pink marble, created from a high-resolution 3D scan of the body of the well-known rapper Fedez, who lent himself to the playful heroisation of his public figure.
“For thousands of years – explains the curator Filippo Masino – marble has transformed what is born humble and transitory (be it a human body, a cloth or acanthus leaves) into a noble and eternal substance. Thanks to the work of Fabio Viale, the vitality of real-life re-emerges from the stone surfaces, though without following the usual metaphors. The restructuring of the statues of the Masters, the rewriting of the meanings and the illusion given by the marble representation of other materials stimulate our senses and curiosity while conveying messages of a universal value."
“Fabio Viale's works showcase masterpieces that stimulate the collective imagination, in a dialectic relationship between classicism and metropolitan tribalism, innovation and tradition, reality and simulation, which delivers a universal image of the human society and its forms”, adds the curator Roberto Mastroianni. In this grey zone between the known and the unknown, between being and becoming, Fabio Viale explores the timeless value of art and aesthetic practice, illustrating our cultural heritage through contemporary languages in a constant relationship between present and past”.
In December 2021, the second stage of the exhibition will take place within the new Halls of Royal Antiquities, which will be dedicated to the series of material fictions – marble that becomes wood, plastic, rubber, polystyrene and paper. A comparison (or, rather, an oxymoron) between the Greco-Roman statuary collected by the Savoys and the extraordinary experiments that have earned Fabio Viale his fame on a global scale.
The exhibition boasts technical sponsors such as the IREN Group, which took care of the lighting of the sculptures in Piazzetta Reale as well as in the interiors of the Royal Palace, the General Marmi from Collegno, which supplied the precious stone bases for the monumental statuary and Strategica Group from Milan which offered insurance coverage for the artworks.
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