La caccia nella foresta
Celebrated in his lifetime as a painter of perspective and of animals and landscape, Uccello was a versatile artist who worked at times on mosaic and stained glass design. A79 is a late work, probably of c. 1470. It is a highly original painting, both as a nocturnal landscape and as a brilliantly structured composition. Uccello mapped out a grid on the panel's surface as a guide for his design, fixing a central vanishing point. The devices of the huntsmen's spears, the cut branches and logs and the area of water denote this coherent space, inhabited by the receding forms of men and animals. Uccello's approach is also highly decorative, with bright, clear colours set off against a dark background: the foliage of the trees was once picked out with gold, accentuating the precious, mosaic-like effect. Hunting was an aristocratic pastime with its own rituals (and the crescent moon, symbol of Diana, the chaste goddess of the hunt, appears in the horses' trappings) and the idea here of a hunt by night is playful or symbolic rather than realistic. A79 is a spalliera panel painted for a luxurious domestic setting, perhaps in Urbino or in Florence.
LE OPERE
Adorazione dei Magi
Olio su tela
Monumento equestre a Giovanni Acuto
1436 | Affresco
Diluvio Universale e Recessione delle acque
1447 | Affresco
La caccia nella foresta
1470 | Tempera, olio e oro su tavola | 177 x 73 cm.
San Giorgio e il Drago
1470 | Olio su tela | 74 x 55 cm.
Annunciazione
Tempera e oro | 48 x 65 cm.
Ritratto di donna
1430 | Tempera su legno | 41 x 31 cm.
Diluvio e recessione delle acque
1445 | Affresco