Futuruins

© The State Hermitage Museum, 2018 | Jacopo and Francesco Bassano, Adoration of the Magi, Oil on canvas, 49.4 x 37.8", State Hermitage Museum, St. Petersburg

 

From 19 Dicembre 2018 to 24 Marzo 2019

Venice

Place: Palazzo Fortuny

Address: San Marco 3958

Times: Wed - Mon 10 am - 6 pm | Ticket Office 10 am - 5 pm | Tue closed

Responsibles: Daniela Ferretti, Dimitri Ozerkov, con Dario Dalla Lana

Organizers:

  • Museo Statale Ermitage - San Pietroburgo in collaborazione con Ermitage Italia

Ticket price: Full 10 € | Reduced 8 € | Free Children from 0 to 5 Disabled with accompanying guide Enabled tourist guides accompanying groups or individual visitors Individuals (max. 2) accompanying groups of children and students Individuals (max. 1) accompanying groups of adults Ordinary MUVE partners Holders Art pass Fondazione Venetian Heritage

Telefono per informazioni: +39 041 5200995

E-Mail info: fortuny@fmcvenezia.it

Official site: http://fortuny.visitmuve.it


Comunicato Stampa: The aesthetic of ruins is a crucial element in the history of Western civilisation: it symbolises the presence of the past, but at the same time contains within itself the potential of the fragment. In fact, a ruin is never neutral: caught between nature and culture, suspended between destruction and reconstruction, it is immersed in the flow of time while tending towards eternity. It comes from the past, confers a wealth of meaning to the present, and brings awareness to future projects. In order to give an idea of the historical complexity of the concept, the exhibition will range chronologically over the centuries, focusing on salient points: from the first mythologies of destruction, the effect of divine wrath (the Tower of Babel, Sodom and Gomorra, etc.) to the “iconoclastic terrorism” of Palmyra, while also including ancient Egypt, Greco-Roman antiquity, the “instauratio Romae”, the “ruine du Louvre”, twentieth-century destruction by war and the ruins of the Twin Towers. When architecture collapses it evokes the decadence of the civilisations that produced it, in this way the parallel of a building and a body is the revelatory element that refers to the transience of human life and the disintegration of the body, while also engaging the concept of cyclicity: the historical alternation between crisis and rebirth. Even today the contemplation of ruins can be a source of a new awareness if one considers them from the perspective of memory on the one hand, and design on the other. 

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